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Video tutorial

Tutoriel Général

Length

Film all the action and nothing else than the action. Avoid sequences too long where nothing happens. Also avoid filming by little bits of two seconds, you will have a hard time editing your images, the shooting risks being too jerky. If the action is happening in front of you, keep filming without stopping the recording.

Professional reporters shoot a minimal time of 7-10 seconds to make sure they’ll be able to get 3,4 seconds of interesting images (those who move the less, where something interesting happens).

Do not hesitate to cut scenes when you edit. Instead of sending six minutes, send three films of two minutes, if each sequence is coherent. That way, the community can directly access the part they are most interested in.

Positioning

It‘s the most important! You must anticipate the action, place yourself in front of it. Always try to be the closest possible, it will avoid the zooming (avoid doing so when filming, unless necessary). Ideally, you find the right spot where you won’t have to move too much. From a good spot, you must be able to film two or three different things. Avoid moving while filming, unless necessary, because it is hard to remain stable.

Attention : DO NOT TAKE ANY RISKS! In the rush, think of your safety first. If you witness an accident, call the emergency number and help the people injured.

To move or not to move?

Two options possible when you witness an event. A fixed frame : you don’t move, the action happens inside the frame (you are in front of a march, a protest, we see the banner and the people behind). Or you move with the action (you walk backwards, and film the face of a protester walking and screaming a motto)

Don’t forget to film a wide shot where you see the whole scene. Above all, avoid zooming and un-zooming all the time. Take a wide angle, stop the recording, zoom on the action or a face, then record again. Make many different shots: a wide shot, a shot at the waist, a close-up.

Example of a protest : First, the march from far away, in an establishing shot (go up on a bench, at the third floor of a building) to give an idea of the importance of the march (first information). Then, you can film the beginning of the march, the first banner with a shot wide enough so we can read the claim (second info).

Then a closer shot where, for example, one can see two protesters, framed above the waist, singing a text written for the march (third info).

End with a close-up, a protester that has stickers on his face, painted it or wrote a motto on his cheek (fourth info).

If the action happens far away, try to settle on a tree, a post, put your camcorder on the ground, on a bench etc. Always hold your camcorder with two hands and look at your viewfinder or LCD screen to know what you are filming. It is always more difficult to remain stable when zooming.

Exposure, backlighting

Avoid filming someone placed in front of a window or who has sun in their back. Ideally, the light must come from behind you and floodlight the situation, the interviewee.

How to make a good interview ?

Choice of the person

You must always ask yourself “What is interesting about the interviewee?” Always ask questions related to the function of the person chosen.

If it is a witness of a fire, ask him what he saw. Then ask the chief firefighter how many men were mobilized. Then ask the prefect questions on security legal norms and measures to avoid another incident.

If there is a debate or a controversy, always ask both sides of the story. The lawyer of the attacked person, the lawyer of the attackers, the displeased (or not) users of a strike, but also the representatives of the strikers, both versions of neighbors accusing each other etc. Getting equally both sides of a story is one of the basic principles of journalism.

Choice of the shooting scene

Ideally, the interview must take place in the environment of the interviewee. If it is a garage mechanic, in a garage, if it is a firefighter, in front of a fire, etc. Avoid making an interview in front of a wall (no perspective, no possibility of locating the place.) If we see in which context the interview takes place, it is more informative, more interesting.

Choice of the shooting scene

Identity of the interviewee Ask the first name, last name and the person’s function at the beginning of the interview. If her name is complicated, ask her to spell it. You can also film her business card where all the information are visible.

Questions

Rule n°1 : No closed questions !! You don’t want « yes » or « no » answers. Example. An athlete comes back from convalescence : « Are you feeling better ?- Yes”… not very informative! It would be better to ask “Why are you feeling better?”- The doctors helped me heal my ankle injury, it was a sprain, I took some rest in the countryside for three weeks…”

Pensez à bien faire le tour du sujet: "Quand et où est-ce arrivé? Pourquoi est-ce arrivé? Comment ça s'est passé?"

Framing

It is best that the person looks at you in the eyes and not at the camera (it would give the impression that she is speaking live, as a newscaster !) Ideally, the person must be slightly off-center and framed either on the left or on the right. In a picture or in a video, we never center, we privilege the 1/3, 2/3 rule. The strength lines of the image are on the horizontal and vertical third.

Light

If you have an additional light on your camera, do not hesitate to use it, especially when shooting inside. Often faces seem too dark.

Avoid starting an interview, if a lamp is behind your interlocutor. Chances are your camera will get the wrong settings and the person’s face will be dark. On the contrary, put the lamp in front of your interlocutor to give his face some light.

As well, if you are outside in a slight backlighting, use your small additional lamp.

Sound

Hearing well the person you are interviewing is essential. Avoid places that are too noisy. Choose places as calm as possible. During a protest, for example, ask your interlocutor to isolate yourselves from the march so as to hear him better. If you have a microphone: minimum of 30 centimeter of the mouth. Move it closer if an unexpected noise comes disturb the interview.

The different values of a shoot

Very close up

A detail, a dace with the chin. The forehead can be cut. For a very close-up to be usable, you must be especially fixed.

Close-up

An entire face for example.

Mid-shot

On a character, it is a shot with the chest and face. It gives a good presence to the character.

“American” shot

It is a larger shot that inserts the belt and the guns.

Full-length shot

The character is completely in the frame. It’s a presentation shot.

Wide angle

It is an establishing shot, a landscape, a show scene, a street.

Panoramic shot : Left right or down up

It is a narrative and informative shot. It wants to show something to the viewers (the size of a basketball player, the length of a car…). It must be as stable as possible. It must not be too long (10s). It must start and end by a fixed shoot. It is useful to double it both ways. If it is not a success, do it again.

Tracking et sequence shot

It is also a narrative shot. It must be as stable as possible. It must have a beginning and an end. It must not be too long (between 10 and 20 s).

Links
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